New Year, New Journal…But how to choose?

One of the great recurring dilemmas of my life is how to pick the perfect journal. Honestly, when it comes time to shop for a new journal, it feels like going on first dates: there are some options that look good but are boring, some that are perfectly nice but no spark, and some that just are a total affront to the purpose of a journal. (Trust me on this one: I once used a journal that looked like neon seahorse had been brutally poached to make its cover…it may be filled with great memories, but I am filled with regret that I endured that notebook for so many months.)

However, having been an avid writer for as long as I can remember, I have narrowed picking a new journal down to a near science.

There are the obvious factors such as:

  1. Size: Large enough to read, small enough to squeeze into a purse, medium enough for an artsy Instagram photo to prove that you do indeed write in it.
  2. Lines: Do you want lines? Bullets? Or— I’m lookin’ at you T-Swift —  blank space?
  3. Binding: Spiral? Flat? Antiquarian? Composition book? HELP.
  4. Covers: Hard, soft, over-easy, scrambled…wait no, that’s not right.
  5. Adornments: Bible verses each page? Inspirational thoughts? The full text of Pride and Prejudice in itty bitty type along each line?

But wait! There’s MORE!

  1. Stage of life: An “end-of-an-era” journal ought to look different than a “filled-with-high-hopes” journal and an autumn diary is likely to be quite different than a spring diary.
  2. Current goals: Tracking your fitness? Planning your homework? Composing poetry? Plotting your next campaign? The proper tool is key!
  3. Personal Style: As much as I might admire that hipster look, my life is lived in bright floral and, while I admire that skull diary, it would not quite match my pink pajamas.

I am about to enter not only a new year, but my final semester as an undergraduate; as such, there are exciting things happening every moment and this amped up the pressure to find the perfect journal. Unfortunately, it seems I have used every decent model sold at my go-to stores (aside from a too-expensive Monet-print leather model which I drooled over for a bit).

Anyway, after  failing, even at Target (*shakes fist at security cameras*), I resorted to online shopping which, at least for books, is not the same. Of course I use it for convenience, but it just isn’t as satisfying as strolling through aisles of shelves, picking out a new notebook or novel, smelling that fresh papery scent and feeling the smooth inky pages… I spent HOURS of non-book-scented time scrolling through Amazon, putting way too many options in my cart. Honestly, it felt like literary online dating and finally I had to just swipe what looked promising and hope it will up to its profile in real life.

I suppose I’ll find out on Thursday.

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Poems and a Creek and Such (revisiting an old spot of time)

When I was a freshman in college, I had the not-uncommon experience of feeling 150682234% overwhelmed. It was honestly a feat of grace and strength that I stuck it out, but by the second semester, how happy I was that I did!

As that terrified, homesick 18-year-old, I went on a choir retreat and nearly had a complete breakdown which resulted in the composition of what I consider my first “real” poem. Now, I am not quite as proud of it and see its many faults, but here is the link to it just the same: Poems and Trees and Such

This past semester (my second-to-last as an undergraduate) has been a whirlwind, but it has also been characterized by a level of calm which I never thought I’d achieve as a freshman. Naturally, when I revisited the site of my first poem (written in that state of anxiety), I wrote more poetry in an outpouring of gratitude, mixed with a certain melancholy that the time has flown by faster than I ever imagined possible.

In the craziness of this semester, though, I forgot this scribbling and only just rediscovered it as I leafed (pun, as always, intended) through my journal. So, now that I have a bit of breathing space, I’ll share it:

This stream I knew is dry now
and its rocks are all laid bare.
It buzzes, stinging, where once it washed
with water and with tears.

The rattling, skeleton tree limbs
stretch but don’t quite reach
across the dusty canyon bed
or seasons since we first did meet–
I and this crumbling, crackling creak.

But still the lone lorn pools reflect
in their barren, dirty sheen,
the ghost of the girl gone and grown
who now returns to where she’d been.

I see myself in retrograde:
this fount is as I was.
I was first the barren stream,
the jagged soul with aching limbs,
and he, the babbling merry thing.

Then it was green and I was young,
but worn in ways I am not now.
I came to cry, but now to sing,
for here first from my heart did spring
a gush of poetry.

And, in being made so free
by nature then to nurture words
and, drinking of living water,
to be rewritten by the Word.

And now, although I have come back,
content as I was not then,
I find I cannot return that
happy favor to this friend.

My cup o’erflows and I’ve grown strong;
now I’m the one bubbling in song.
My ghost meets me in the creek-bed’s death
and, thankful, I draw in freshened breath;
Although we have now traded place,
I bless this stream and its gentle grace.

Dear Mr. Dickens: An Open Letter

My dear Mr. Dickens,

I hope you are well and not at all rolling over in your grave. (It is, after all, nearing Christmas and renditions of your famous holiday tale are promenading before audiences who are mostly wondering whether they actually turned off the oven or whether the turkey they pretend to like is burnt positively to a crisp.)

I digress. I hope that you are enjoying some heavenly library and continuing to dream up wonderfully real characters, quirks and all. (Though sadly characters with fewer flaws if you are in some higher home…)

Now that the well wishes are done, I must humbly beg your pardon; I insulted you years ago, though perhaps we can lay the true blame on my mother, who insulted you first. But whether or not insults are hereditary failings, I must ask you to forgive me. I called you “long-winded” and “gold-digging,” for I heard that you were paid per word and perpetuated your propensity for prolific phrases to procure profit. (How’s that for alliteration?)

I was wrong to mock you for a trait that I share (love of words and liking of being paid for them). I also concede that I was incorrect in my accusations. You were not, as it turns out, paid per word, but rather per installment. This is most sensible, as you wrote novels in monthly installments and it seems a shame to only be paid upon the completion when readers were already enjoying your creations. I freely confess that I made these claims without reading anything aside from the aforementioned Christmas tale and even this is dubious as I my only memory of it is from the Muppets’ version. And so, I apologize most sincerely for my unbased bias.

My readers might pause here, thinking that the length of some of your works does lend some credibility to my prejudice. But here is where we must become more thoughtful. Are your books —David Copperfield for instance— actually pedantic in prose and sprawling in size? Or, are our attention spans as readers poorly lacking? Are we even reading these narratives correctly?

Life is so rapid these days and we demand constant simulation. Not only does my phone weigh much less than Copperfield, it promises more laughs and terrors per post.  Modern literary material is the same; young adult novels especially demonstrate this, focusing more often on the fantastic elevating the ordinary instead of finding what is naturally noteworthy  in this ordinary.

It is so easy to be absorbed by rapid-fire adventures and super human characters, but have we lost something? Have we lost an enchantment with our own humanity? Even just a few chapters into David Copperfield, I am rediscovering a love for the quirks of the human race. I am disgusted by characters that are as flawed as I am and cheer for those that cherish the same silly little hopes that I do. I am enraptured once more with the thought that in all my eating or drinking or whatever I do, I am somehow doing something marvelous because I am, as much as and more than any character, a unique human being set within the context of my culture and, above all, creation’s narrative.

But I am getting carried away and I will tell you now, Mr. Dickens, that I intend to write many more blog posts as I live alongside young Copperfield. For that is what it is, after all: living. There is to be no skimming, no rushing through this book; the very length and style do not allow for it! And where once I might have cursed you for this, now I bless you, sir. I am grateful that your writing, at once elegant and snappy, makes me slow down, return to a fascination with the ordinary, and truly live in community with your characters as they develop alongside my own life.

I once more offer my humblest apologies and my deepest thanks.

Your abashed and admiring reader,

Ryanne J. McLaren

 

Three Principles

As I was practicing piano the other day, I wrote a series of three questions to ask myself as I worked on each detail:

  1. Is it clean?
  2. Is it beautiful?
  3. Does it mean something?

First, I work technically, listening even to exercises to discern if they are played with clarity and precision. Are they clean? The same attention to purity must be given to all other passages, even (perhaps especially) the most Romantic. The greatest pianists play beautifully, but do so over the canvas of excellent technique and clear sound.

Secondly, is it beautiful? Is there a way I could shape this phrase to make it more lovely? Is the sound of the individual note rich and pleasing? How could I voice this to make it even more musical? A great pianist can set audiences to gasping at his exquisite turn of a single phrase. How can I make this phrase such a moment of beauty?

Finally, does it mean something? I was working diligently away on the first two (clarity and beauty) before I was caught by this third principle. I played a phrase surprisingly well and it conjured an image in my mind. It was nothing profound, just a little glimpse of a boat spiraling in a current, but it was enough to give a newfound meaning to the line that I was practicing.

Without meaning, what does it matter if music is beautiful? What does it matter if it is clean if it is not beautiful and, further, does not have meaning? These principles build off of each other not only in music, but in the creation of any art. The artist might (and should) begin with an idea of what he wants to communicate, but he must execute it with technical precision and aesthetic appeal in order to properly convey this meaning. Bearing this constantly in mind as I practice has revived my approach: I am not just playing rote repetitions, but am working with the goal of achieving accuracy so that I can then focus on beauty and, finally, communicate the meaning governing those two.

Being an over-the-top Torrey Honors Institute nerd, I realized that these three principles of effective artistic practice can be aligned with the overarching ideas of the Good, the True, and the Beautiful.

  1. Is it good? Are the notes or strokes or words placed with commitment to good technique, adherence to structure, etc.? Is the art made with a spirit working toward excellence? This is convicting, is it not?
  2. Is it beautiful? Once technical excellence is established, it naturally gives the freedom for elegance, color, and expression! The “good” allows for the “beautiful” to be made with greater potential to be both achieved and understood. If our technique is helter-skelter, the likelihood of playing a natural-sounding and well-shaped phrase is extremely low. Artists should take chances, but trying to generate beauty without technical awareness seems a foolish one to take.
  3. Is it true? Clean performance practice and beautiful sound build upon each other to, ideally, generate meaning. Think about writing. We follow the rules of grammar, only breaking them when it serves an intentional purpose, because these set standards promote elegance of expression and clarity of intent in even the most unskilled writers. In the same way, poets often follow structural rules because it gives shape to not only their beautiful lines but also makes their meaning more accessible.

As I was reading through Ephesians this morning, I was struck by a note I made in the margin a couple of years ago: “Art of Faith.”

These three principles are not only for the practice of artists, but for the life of believers. Indeed, the walk of faith is perhaps the greatest art. We are restored Images, saved by the Word, called to worship in song. We are redeemed works of art and as we “practice” our obedience and gratefulness, we might find in these three simplified principles helpful guidelines for making our lives shine as art that is pure, lovely, and truthful.

In all aspects of our lives, whether or not we would consider ourselves “artistic,” we ought to be thinking as co-creators and, indeed, works of art. Before purchasing, making, doing, or saying anything, we should ask ourselves: is this thing good, useful, quality? Is it beautiful and lovely? Is it true, helpful, and honest?

Imagine how our lives might be transformed if we asked ourselves these questions. I doubt I would own as much clutter. I would likely speak with greater thoughtfulness. I would spend so much less time being frustrated with the repetitiveness of practice– of the everyday– because instead of just going through the motions, I would be considering even the tiniest details of my life in relation to the three greatest ideals: the Good, the True, and the Beautiful.

Method…Writing?

Method acting is a key point in my novel. One of the characters is an actor who has become “stuck” in the role that he last performed. He has lost himself into the character he was contracted to play. There are obviously a MANY problems that arise from this (many dark moments for this poor guy), but there is one lesson to learn for our benefit:

Method Creating.

First of all, to create art, you cannot always consider yourself an “aspiring artist.” If I had stayed in the mindset of “I’ll someday be a pianist” I would not have gone far as a musician. Instead, I learned, over many years of self-doubt that if you want to achieve something, you have to live into that dream now as if it is already reality. In much better words:

You have to live as if you already are what/who you want to be. If you want to be a great pianist, you have to live as if you already are one by practicing hard, humbly listening to both praise and criticism, and making original (even if not at first brilliant) artistic decisions. For too many years I worked my tail off and studied like mad, but was crippled by the thought that I had not yet achieved, that I was not yet the musician I wanted to be. In one sense this is true. I had and still do have far to go and we should NEVER stop pushing ourselves to be better or else our art (and, worse, our very selves as human beings) will stagnate.

However, you have to live and press forward with the conviction that you already are that musician (or artist) that you want to be, letting this motivate you to live up to your future vocation/goal in the present practice.

Oddly enough, I have never had a problem claiming to be a writer. To be fair, I probably should have more qualms about my claims to being a writer, for I am soooooooooo far from where I want to be. I don’t have a doctorate, haven’t published a novel, have not been invited to give guest lectures, etc.

But I am confident that one day I can reach these levels because I have already adopted “writer” as my current role. By living as a “writer” in the present, I am more motivated to actually pursue this goal than I would be had I remained an “aspiring writer” or “someday writer.”

So, I have adopted a sort of role even if it is not brought to total fruition yet, and my approach to my art is made the better for it.

What else can my poor method acting character teach us?

Surround yourself with relics.

My novel includes, to name a few, a Venetian mask, a violin, a huge volume of Sherlock Holmes, Italian postcards, red wine, a portrait, and about a million cappuccinos.

And I have all but the wine sitting beside me as I write. I can feel the characters speaking to me from their favorite curios. I hold in my hand the mask that the actor dons in a pivotal scene. I sniff the pages of the book another character read as a child. I drink the espresso one character conjures.

Through the little souvenirs I have gathered since the conception of this novel idea, I am able to enter into the realm of my story. I have adopted the role of writer, of creator, and, using tokens I have gathered from this world, am able to enter into another of my own making.

Give it a shot, maybe. What title/role would help you pursue excellence and dreams? And what little things can you surround yourself with to foster creativity and insight? Comment and let me know! I’d love to hear how your artistic life, dear reader, is thriving.

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Slight disclaimer: When I say to live into the role of what you want to be, I do not mean to adopt this as your identity. The character I used as the original example suffers this exact downfall and, let me tell you, it does not go well. Our full identity cannot be found in any temporal or merely-human characteristic and any “roles” must be held subject and united to the enduring identity promised in faith. (Indeed, though, this identity too is already given and, at the same time, yet to come, informing our lives in the present by assuring us of the future!)

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Final note: The novel featured in the photo at the top is AMAZING. Yet another reason to be excited about being a writer. 😉

Mariners

We are mariners, mariners we,

made for the land, parted from sea

from that second day and still –

striving as on the earth to fill-

drawn by its alluring, billowy waves-

we drink down the depths

to find watery graves.

.

We hear the call, that age-old call,

a whisper first, a breeze enthralls,

that grows and storms, restless ocean

which floods within the hearts of men.

And from our own mouths, it ever rails:

“Depart, depart, and set your sails!”

.

And so headlong into the deep

we crash from quick-eroding beach.

Toeing the sand was never enough;

we ached to ride the riptides rough.

.

Water there upon land gives life

but here the salt-foam drains it dry.

But never we stop to ponder: why?

Why to the sea, which roars, “Stay back!”

Why tempt a beast, that is bound to attack?

But the sea is within us; we ate of its fruit

it drowns from inside ’til shore zephyrs fall mute.

.

We fashion our ships, believing them arks

to keep us safe from the ghostly white sharks.

But up on their decks as we voyage across

we all yet shoot down heaven’s albatross.

.

Best stay inland, best anchor your soul.

Our bodies might swim, but this old sailor knows:

there is no raft or vessel that might

bear us when the steady dock’s out of sight.

Cast out the life-sucking salt in your heart!

Rebuff its waves with its own cry: “Depart!”

Royal: A Typewriter Story

I feel I should offer a few disclaimers before you read the following story:

  1. I do not drink, but apparently the narrator does.
  2. I love typewriters and mean no offense.
  3. No cats were harmed in the making of this story.

Royal

December 23, 2017

It was an impulse buy, totally impractical as demonstrated by the fact that I am typing this on my laptop instead of the metallic clunkers of the aforesaid impulse buy.

But I’ve been suffering writer’s block for some time now and even during short periods of creative constipation (my wife hates the term, but it makes me chuckle) I tend to be reckless, spontaneous. Thank God that Susan has a steady job and, better, an even head.

But this bout of writer’s block is the worst yet. It’s been nearly six months since I’ve written anything worth sharing. The only words I’ve penned are those such as I’m scribbling now: the exaggerated ravings of my private journal. Usually I just use it to jot down ideas I don’t want to lose; it serves as overflow control for the ideas that bubble up in my brain.

But since July the pages once tattooed with colorful bursts of inspiration have devolved into rants about my vacant mind. There seems to be a wall between me and ideas worth writing and this wall seems to be made of blank, white pages. Funny, though, these white pages used to be a source of wonder for me, like a fresh snowfall just waiting to be traipsed through and molded into snowmen and forts. But now, I cannot bear the cold of these empty pages, for I am armed with no thoughts of how to shape them. I’ve run out of the childlike boldness that lead me once to rush headlong into the snow and feel I have become pragmatic (Susan still disagrees) and reserved. No dangerous ideas for me, thank you very much. I am being forced into retirement ten years early, it seems.

Susan would say I am overreacting. “Every artist has a dry spell,” she says. “It’s like the weather; it can’t always rain.”

Her words are comforting, falling gently in her lilting mezzo, but I can’t agree with her. Every artist has a dry spell, but not me. Even Beethoven took breaks to walk through the natural world, pondering and refreshing his mind after explosive productivity. But I’ve never needed such times of refreshment, for I only am at rest when I am doing what I was made to do: write.

Hence, the impulse buy.

There’s an antique store downtown that’s served as the setting for more than one of my stories. Something about the musty air there breathes ideas, much like the dust of an old library is thick with words. I was wandering about under the pretense of doing some Christmas shopping. (Funny, I know. Susan always takes care of that and anything I get her is promptly returned under the guise of “not fitting quite right,” even when what I bought is not clothing.) But, even so, I spent the better part of the afternoon pacing outside of the shop and the better part of the evening wandering around inside it, conscience of the fact that closing time was soon but no particularly caring. After all, my short story, “The Shop,” increased their business enough that the manager can hardly object to my prolonged presence. For all he knew, I was dreaming up another bestseller to boost patronage.

I was not.

Finally, even the hopes for increased shoppers and income could not keep the manager away from his family any longer. (It was the night before Christmas Eve, after all; the preparations were beyond those of a wife alone and all husbands realize that, while they might not do it correctly, they are at least expected to offer help with the holiday preparations.)

“Sir,” he greeted. “Can I help you find anything?”

It was a polite way of asking if he could help me find the door.

“No, thank you,” I replied, continuing to browse the crackling spines of long-abandoned books. It always encouraged and disheartened me to find books in an antique store; on one hand, these works endured for decades and even centuries, but on the other hand, they were long abandoned as reading and had fossilized into vintage decor. It is at once every author’s dream and nightmare and I am fascinated every time.

The manager watched me for a moment, his mouth opening and closing like a fish.

“Any recommendations?” I asked, to break the silence. He breathed a sigh of relief and I expected him to recommend that I check out the pub across the street. Rather, he nodded and disappeared around the shelves. I followed, finding him standing beside a sight so odd I was disappointed in myself for not having noticed it earlier. After all, writers specialize in oddities. (Susan often jokes that this is because writers are oddities. I quite agree with her.)

Before me, the manager stood beside an enormous birdcage made of cast iron. It’s bars were thicker than those of a typical birdcage and my mind suggested at once the image of an enormous raptor roosting in it; no harmless sparrow or lark would need such a barrier. It was a cage made to house a vulture. And then, I noticed what it held: a heavy black beast rested inside bearing lettered teeth and a crest of yellowed paper. On its flat, metal jaw was the emblem: Royal.

“A fine typewriter, I do say,” said the manager.

“It certainly is,” I agreed. I stared at it and had the eery feeling that it was staring back. Being in a birdcage made it feel alive. My fingers twitched. Used to the ease of my laptop’s keyboard, they were aching for a challenge. I could already feel them digging into the weighty keys of the typewriter, could hear the clackity-clack of their action and the chipper bell announcing that I ought to reset the page. I should note that I have never actually used a typewriter, but it is a truth universally acknowledged that all the true writers have at some time or another craved to try.

“It’s a bargain, really,” the manager was saying, but before he could finish, I’d opened my wallet and then waited as he extracted the typewriter from its prison.

“Why was it in there?” I asked simply to make conversation; there is nor ever has been any rhyme or reason to the displays in that marvelous shop.  This very lack of order is what makes it such a great honeypot of inspiration.

“Oh,” he gave off a chuckle, “he’s a fearsome beastie, that Royal.”

I laughed and took the boxed-up typewriter, the door jingling merrily as it swung shut behind me and the manager releasing a sigh of relief and already dialing up his wife to apologize for the delay.

 

December 25, 2017

Merry Christmas, indeed! An idea has dawned and shines like the star we sing of in church. I woke this morning before the break of dawn, something I have not done since our children were home and young and overeager to unwrap Santa’s gifts.

But I woke and felt immediately that this Christmas was something to greet with the excitement of a child. Something was going to happen, was already happening. I just needed to be awake to witness it.

I lay still, Susan’s ever-even breathing beside me, wondering what it was that I felt was to happen. After twenty minutes, I felt silly. What did I think would happen? Was I expecting there to arise a clatter on the rooftop? To spring from my bed to see what was the matter? I started reciting this cheesy Christmas poem to myself as I fell back into a doze.

But then, I did hear something. But it was not a clatter. It was a clackity-clack. Believe it or not, there is a difference between onomatopoeias; I’ve read enough children’s books in my time as a parent to know.

I sucked in my breath, waiting. The noise fell silent, but I knew I did not imagine it. Braving the cold air, I tiptoed to my office where the typewriter sat in its box, unopened, a Christmas gift to myself. I listened, but heard nothing but the ringing of silence. I could tell by the cold and this crystalline silence that it had snowed overnight.

I peeled open the box. The typewriter sat nestled among tissue paper just as the store manager had wrapped it. I took it from the box and set it on my desk beside my charging laptop. It was silent. Though the air was still, the yellowed paper left by a long-lost writer waved a ghostly greeting.

I squinted at the paper. The ink was faded, but there were certainly words there. I flicked on the light and held the page up to it. I could barely make it out,  but when I did, I cried out in delight. There, printed on the page who knows how long ago was my next idea. I have no qualms over taking it, though it was surely dreamed up and written by some author past. He or she is long gone based on the yellowing of the page and I am a mind in need of ideas, in need of words. And there, before me in the light of Christmas morning, the words have come.

I had never hummed Christmas carols with more vigor than I did this morning, flipping open my laptop and pounding away, writing three thousand words of a story before I heard Susan’s alarm sound. Oh, glorious day! Oh, happy impulse buy! A word has been born again in my mind, though it was written first ages ago.

 

January 1, 2018

I have scarcely left my office since Christmas. The festivities over, I locked myself inside with a cup of coffee and no blankets (I write best chilled). Bless Susan. She always remembers to bring me refills on coffee and make sure I eat every couple hours… I really need to do something nice for her once I cash in this story. It’s going to be my best yet; I can feel it in my soul as I pound away at the feather-light keys of my laptop.

I rejoice, a writer restored to creativity, and it is no chore to write the story that dances in my imagination. In fact, to write it is the most natural thing in the world to me. That’s why not writing, not dreaming up ideas, was so painful; it goes against my entire nature as a sub-creator. But I am restored. A few faded words on an old typewriter have revived my lazy mind and I am back in the race, streaking past the word count for a novella in record time. I could make this a full-length novel someday. But for now, I must submit it to my editor before she loses faith in my productivity.

I am at rest as I do the work I was born to do. Susan understands and that is what makes us such a good pair. I am wild, spontaneous, and dark, whereas she is calm, practical, and optimistic. But we both agree that one cannot be comfortable unless doing the work one was born to do. And so she balances her work as a professor of mathematics and I power my way through another bestseller.

But I digress.

This will be a killer little book, not just because it is about a little killer. Rather morbid for an idea born on Christmas, but I like it nonetheless. I look fondly at the typewriter as I scribble out this journal entry. It grins back at me with its toothy keys and I cannot suppress a shudder.
Perhaps it is too cold in here.

I glanced back at the typewriter just now and a gruesome image of it licking its black lips crossed my mind. I should laugh. It’s such a ridiculous idea. Besides, I have better things to think about than freakish fancies: I am writing a marvelous little book and what better way to begin the New Year than with a new creation?

 

January  25, 2018

I’ve been too long absent from my journal, but I have been in the same writing craze as I was when last I wrote. But now I am finished and the manuscript is bundled neatly and en route to my editor. I’ve never written anything so good so quickly and I am shaken. I can scarcely believe it. But I can at last breathe a sigh of contentment, knowing now that my creative dry spell was a temporary trial and perhaps even lead to this great rush of words.

Susan and I went out to dinner for the first time in a month. I listened to her talk about the university and plans for a new math and science center, but I admit I was distracted. As we walked downtown searching for a restaurant, we passed the antique shop and I was set to thinking about the typewriter. I wrote my novella on my laptop and my journal I write by hand, but I feel I owe the typewriter for the idea that revived my spirit. It was the messenger of the words that inspired me, after all.

I could easily restock its paper supply, but where to purchase ribbon? And does it need any maintenance? Why bother…I wouldn’t actually type on it. Not seriously, anyway. But it could be fun to fiddle with now and again.

As soon as we returned home, I went online and ordered several different kinds of typewriter ribbon as well as a repair kit, just in case. I could use a hobby, I told myself, to excuse the money spent.

“Soon you’ll be good as new!” I said, patting the Royal on its iron top. It clicked as I touched and I jerked my hand away. Then I laughed at myself for doing so. It’s just a typewriter and not even a working one.

 

February 1, 2018

My editor’s feedback was excellent. Usually  my manuscripts return red-penned and gory, looking like victims of some great grammarian battle. But she didn’t even return it this time. Instead, she called me up and asked if she might just forward it to the publisher.

I thought it a prank. This never happens. Not even the best writers get away without a number of revisions. I look at the typewriter as if it is somehow responsible, but know that’s ridiculous.

“Sure,” I said, not wanting to press her. Not wanting to look a gift horse in the mouth, as the old saying goes.

“Terrific,” she said. “This is without a doubt your best work yet, Brad. Keep it up.”

“Thanks,” I said before hanging up. My jaw is still hanging open.

I spent the rest of the day drinking and tinkering with the typewriter. It’s great fun to pound away at its keys, but I am so slow at it I know I’ll never write anything serious on it. Still, I feel like a real writer when I kick back with a drink in one hand and typewriter keys under the other.

What am I saying? I am a real writer! Perhaps I need to cut myself off for now.

 

February 15, 2018

Two weeks. It’s been two weeks and I’m ready for another idea. Oh yes, and Valentine’s Day was yesterday. That was nice, as usual.

But an idea. I was alright to take those two weeks off in light of the news from my editor, but now I’m rearing to get back into the race. Until I think of something, I’ll fiddle with the typewriter some more.

 

February 16, 2018

Hurrah! An idea struck not five minutes after I penned those last words yesterday. Not another novella- it’s too soon to launch into a bigger project anyway- but a nice short story. And by ‘nice,’ I naturally  mean ‘horrifying and thought-provoking,’ but those are ultimately the same thing.

And you’ll never believe where the idea came from! The typewriter! I was idly skimming the words I’d typed last on it when I saw at the bottom a line I do not remember writing. But I must have…after all, I’d had a couple too many Poe family eggnogs before last I pounded at its keys. It took barely three minutes for me to read the words, imagine a plot, and open a new document.

Now, not six hours later, I have a revised and chilling product. I love it. Oh, being in love with one of your creations is the most wonderful feeling. I always understand the opening chapters of Genesis best when I have just produced something I can proclaim “very good.”

Thank you, typewriter, for holding onto an idea I might otherwise have forgotten amidst multiple cups of eggnog. When I went just now to pat it in thanks, I could swear I saw it’s keys shift. I must have accidentally pressed something, but I still felt a shiver down my spine. In that moment, it was eerily resemblant of a beast baring its teeth.

But no, my mind is just in a whimsical state. As I look now, it is the same chunk of still metal that it was before.

No more eggnog for me! But I can’t help being a little giddy off my own ideas, now, can I?

 

February 20, 2018

I woke to a piece of good news and a piece of unfortunate news. The good news is that my novella is already at the top of the publisher’s list and will be on its way into the world in record time. The bad news…

My laptop is broken. There is a massive crack across the base of the keyboard. I heard a crash last night and thought perhaps a shelf had fallen off the wall, but when I checked in the morning, everything appeared in order. Everything, that is, except for the cracked laptop. The typewriter was disturbed too, though whatever caused the breakage must not have been able to hurt the iron of the Royal. I reset the typewriter and am scheduled to have my laptop repaired as soon as possible.

But what could have caused this?

 

February 21, 2018

When I went to retrieve my laptop this morning to take it in for repairs, I was met with a horrific sight. It lay spreadeagled on the floor, like a book whose covers have been splayed and torn. The repairman said it was beyond fixing, though the crack I found yesterday would have been alright.

I asked Susan if she had perhaps bumped it, but both of us know that’s unlikely as I’ve always been the clumsy one and she has never so much as chipped a glass. Our cat has not entered my office since the allergy fiasco three years ago. I have nobody but myself to blame. I suppose I left it balanced precariously on the desk…

I went back into the office to investigate just now and, as before, nothing was amiss. Nothing besides the Royal, which had shifted slightly from the place I remember it. But I clearly cannot trust my memory to be exact. When I moved it back in place, I rediscovered words I must have typed on it last time I was fiddling with it in a fit of idleness. The words were chilling and, not surprisingly, I do not remember composing them, but I will take credit and employ them in a horror story soon enough.

 

February 24, 2018

Speaking of horror, the past few days have been terrible. I woke on the 23rd to find my journal in tatters! It was clamped under the metal jaws of the Royal and for a split second I was inspired by the thought that the typewriter looked exactly like a predator and my poor journal its prey, pages fluttering limply like the wings of a slain bird.

But the fancy faded as I realized the extent of the damage. All but the final page upon which I had written had been slashed and torn in the most awful manner. I blamed the cat, much to Susan’s protests that Millicent had not been anywhere near my office, and tossed her (the cat- not Susan) unceremoniously out into the muddy snow.

I’d better lock the office door. Millicent is too smart for her own good and one more act of destruction will lead to hers…

 

February 26, 2018

My last prediction, scribbled on some spare scraps of paper in the absence of my dearly departed journal, came true.

Susan, usually so calm and collected, has been inconsolable. Millicent (too smart for her own good, I said!) found her way into the office and managed to pull the Royal typewriter off the desk, right down on top of her, crushing her small ribcage. Susan doesn’t believe this is possible, but I see no other explanation. Irritating as her fur might have been to my eyes and nose, I never hated the feline enough to plot her demise! 

Well, I must go begin digging a small grave for poor Millie. But with Susan glaring at me from her teary eyes, I feel a little as if the grave were my own.

 

March 1, 2018

Things are looking up. I’ve been writing these journal entries on loose-leaf paper, but will purchase a binder soon. I’ve discarded of Millicent’s things and Susan seems slightly less upset. My new laptop is set to be delivered tomorrow evening.

And that’s not a moment too soon! I’ve been tampering with the Royal and whenever I return to read the words I’ve typed mindlessly, I find a new story idea brewing! I do fear that my memory is becoming lax, though, for I don’t often remember the story ideas that I later return to love.

But I’ll just let Susan know and take whatever vitamins she recommends without complaining. I am content, after all, for it seems my creative block has been lifted and ideas just flow and flow and flow.

Oh, how thankful I am for this impulse buy. As I write this, I glance occasionally over at the Royal, even stopping to pat its cold head as if it were a cat. This makes me laugh, though I cannot tell poor Susan: Who needs a cat when you have a beastie like this typewriter?

Funny, I can almost hear it purring. My imagination is such fun, much more fun than a snappy memory.

 

March 2, 2018

I fell asleep in my office, writing away by hand at an idea that I was particularly struck by. But I woke feeling that I had been struck by more than an idea. Not only did I have a pounding headache (Susan confirms that there is a lump on my skull she cannot account for) but my writing hand was squashed beneath the Royal.

How did I manage this in my sleep? Unless Susan decided to change her entire character and begin playing gruesome pranks, I believe I ought to see a sleep specialist. It seems perhaps Millicent was innocent and I might have a critical case of sleep walking.

 

March 4, 2018

It’s getting difficult to write. My writing hand did not hurt terribly at first, but it has swollen tremendously. Thankfully my new laptop is here so I can type again.

 

March 6, 2018

This is Susan. I am dictating for my husband, whose hand is out of commission. He blames the Royal, but I blame too little sleep and too much frantic writing late at night under the influence. He says not to write that. Too late. Sorry, dear. It’s not often I get to put my perspective in words and I’m enjoying this a bit more than I ought.

I put the Royal on the top shelf in the office, out of the way. I think it’s becoming an obsession and that it is not quite healthy. The hubby says that’s not true. He also says he hates the term “hubby,” but last I checked, I’m the one with the pen in hand so I get to decide the wording for once.

 

March 8, 2018

A full day away from writing was a torture only a little worse than listening to Susan write in my journal. I could not suffer either again and so am writing- painstakingly- with my left hand. Must use shorter sentences. That hurt.

But I can type.

And have an idea.

So type I shall.

 

March 9, 2018

It’s the wee hours. Been typing all night. Susan asleep next door. Office clock ticking. Want a drink. And sleep. Almost done with story.

Heard a noise. Like clackity-clack. Ha. Clackity. Hard to write with left hand. Kind of fun.

Sounds like a typewriter. Weird.

Did the Royal shift? It’s on the shelf just up there, above my head. Still there, barely over the edge.

Over the edge…

Oh dear.

I can almost imagine it falling and crushing me…like poor Millie. Chomping down on my neck…like my poor journal. Cracking my bones…like the laptop.

But that’s ridiculous. Silly.

It’s there, though. I can see it now.

Over the edge…

Over…

O-!