Misshelved: Winnie the Poe

Went to the children’s classics section in search of some light reading…now I am just wondering how many poor young Winnie-the-Pooh fans have been traumatized by Poe instead… 


Perhaps Eeyore likes Poe’s stories. “Nevermore” seems like his type of vocabulary. 

Still, “Welcome to your nightmares” is a daunting phrase to put on a book beside a beloved nursery classic. 

Oh, how I love when shelving decisions go awry. Endless amusement!

Just My Type and Fontly Yours

The title of this post is made of two puns, so I’d say it’s off to a good start.

Today I want to talk about fonts. I know, I sound like Brick Heck from The Middle, but I strongly believe that fonts and type style are crucial to the success of a piece of writing.

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The other day, a friend of mine and I found ourselves in a heated debate over which font is better: Georgia or Helvetica. I argued that Georgia is whimsical yet still professional. He countered that Helvetica is simple and easy on the eye.

We did, however, find common ground in our preference for 12 point font and 1.5 line spacing, as well as our hatred of boring, old Times New Roman.

But why do we as writers feel so strongly toward one font and type setting over another?

To answer that, I am afraid I will have to get a bit philosophical. Writing is both an abstract and concrete art form; it is abstract in the ideas it presents to the reader’s imagination, but concrete in that it does so using visual cues- that is, written words. A book, then, is a concrete collection of the abstract thoughts. Good books are works of visual art that seek to give the reader an impression of something invisible; visible words communicate invisible ideas.

Most importantly, a book (or any piece of writing) must be well-written. The concrete words absorbed by the reader’s eyes must flow naturally, make sense, and be beautiful in their individual phrases in order to construct an abstract thought in his or her mind. Just as no poorly-made sculpture leaves a lasting mental impression, no poorly-written book will inspire great thoughts.

However, there is an element to this process of concrete-abstract in writing that goes beyond the skill of the author; if words are beads, no matter how eloquently the author strings them together, the chain upon which they are strung must also be a thing of artistic merit. This “chain” must complement the beads without overshadowing them.

Just so, fonts and type settings must complement and support the writing itself. You’ve doubtless been told to “never judge a book by its cover” and I’d agree. But perhaps there is some truth to judging a book by its font.

Consider the Harry Potter books. Being a giant nerd, I own both the American and British editions. And, while I prefer the British colloquial to the American “translations,” I always opt for reading the American prints because of- you guessed it- the font. Take a look for yourself!

IMG_4921First of all, notice the adorable illustration! I hold to the belief that one never outgrows books with pictures. Second, I challenge anyone to glance at the font of the chapter title and not immediately associate it with the whimsy and adventure of Harry Potter. The font of the text itself is legible, yet not as stiff as, say, the font you might choose for a thesis.

Now consider the spacing; the margins are wide enough for a child to hold the book by its edges and the space between lines is enough to prevent the reader from feeling overwhelmed.

However, the spacing is not as wide as in some children’s books, making it feel less condescending and as if it is also intended for older audiences. Similarly, had the font been Comic Sans or some other outlandish style, the book would have been less desirable to anyone aside from early readers.

Overall, I’d say the American editions of Harry Potter are an ideal example of font and spacing being used to not only attract the reader, but make the story more accessible. It is easy to “fall behind” the printed words into the story itself because the spaces leave enough of a hole to fall through and the font is easy on the eyes without being distracting. Beautiful.

IMG_4922Now, consider the British editions.  They’re more compact, first of all, so naturally “superfluous” illustrations must be forgotten to save space. The title is lovely and, of course, consists of the same words as its American counterpart, but it lacks the quirkiness the so perfectly parallels the story. No fancy letter “M” for the first word in this edition. No wide margins or extra space between lines, thank you very much. If the American edition wonderfully represents and facilitates the magic of Harry, the British edition is more characteristic of businesslike muggles.

The words (aside from a few candy names and the Philosopher-Sorcerer switch) are the same and the story is thus the same. However, with more crowded words and a more mechanical font/spacing, this edition is not as open to being read by all. I can hardly imagine a child being drawn to this edition, despite the story not being changed, because the words are so packed together and the margins are not friendly to a child’s clumsy grasp. Sure, maybe an adult would read these, but said grownup might not be drawn into the childlike wonder of the HP books as he might be by the visible whimsy of the American editions.

Font matters.

Spacing matters.

Writing is a visual art.

The best writing transcends visuals because it inspires imagining and ideas beyond the printed word; however, this transcendence can be bolstered by a wise choice of type style. Choose a font that reflects your writing’s ideas and, from the first page, the reader will fall more easily into the abstract world you create.

In painting, the better the work, the more it says. Another painter might be inspired to create something with the same message, but if he does not do it with excellent presentation, the viewer will not understand the idea behind the work as well as he might when looking at the first, better painting. The idea is the same, but the presentation makes all the difference.

It is the same with writing.

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Which one, to you, communicates the idea of a “beautiful day”? To me, the first is too stoic to truly represent the beauty of a sunshiny day. The second is more welcoming and expressive.

I’ll say it again: Font matters and spacing matters. Abstract themes are reflected in and enhanced by the visible art of words.

So what do you think? Let me know in the comments! I’d love to hear your thoughts on this hypothesis. Do you  have a favorite font? Why Wing Dings? Why not Papyrus?

I look forward to hearing from you, readers!

Perhaps you’ll be more open to commenting, thought, if I write it this way:

I look forward to hearing from you, readers!

10 Going on 30

I turned twenty on November 14th, 2016. It was weird. Every day I was thinking, “one more week until I am no longer a teenager” or “three more days until I am a real adult.”

But then, when the day came, I felt the same.

This should not have been surprising, but I could not shake the feeling that I should have experienced a grand metamorphosis, shedding the hormonal teen years and entering my twenties as yet another confused college student. 

But then I realized: I had never been the typical teenager, so why should I expect to feel like a normal twenty-something?

Teenage girls are expected to be a dramatic, selfish rebels who spend too much time failing at Pinterest-inspired manicures. This is an extreme, to be sure, but still…

While my peers were dating around, I had a single boyfriend who loved Jesus and respected me. My only fights with my parents ended with me telling them that I loved them. I added straps to my senior prom dress while other girls seemed to be competing to see whose dress could cost the most money while using the least amount of fabric.

I broke curfews to study and was only told to turn my music down when I was practicing piano too intensely. While I was nominated for Homecoming court, I was happier serving as Orchestra President (or, as my mom called me, “Queen of the Nerds”). My best friends were theater geeks, music kids, and bookworms, but the cool crowd was so…ordinary.

When the time came to choose a college, I decided on a Christian school with a stellar conservatory and literature program instead of the big name universities that my teachers were pushing.

Of course, I do not mean to say that I did not face normal struggles as a teenager; I definitely did. As a perfectionist, I was always comparing myself to the girls I saw as prettier, my peers who had higher class rankings, and the choir-mates who could sing better. I fought an eating disorder for three years beginning when I was fifteen. I went through random mood swings and said things I wish I hadn’t.

The difference though, is that these trials did not define me. Faith, family, and friends helped me through the teenage tumult and kept me from becoming the self-centered rebel that I otherwise would have been; they supported me through my dangerous perfectionism and loved me for my quirkiness.

In short, while I always “marched to the beat of my own tuba” (as a Dove chocolate wrapper once said), my loving family, growing faith, and amazing friends made sure that I stayed that way.

As my twentieth birthday drew near, I did not have much time for reflection as I was busy leading a chapel at my college and performing in choir concerts. Later, though, I got the chance read through old journals, flip through Facebook albums, and talk to friends and myself (my roommate assured me that talking to oneself is a sign of creativity). As I did so, I realized; I was never really a teenager, so why would I be any different as a twenty-year-old?

I won’t lie; I love Taylor Swift’s song “22.” Maybe it’s just because I am two years younger, but I do not anticipate actually relating to the song’s lyrics. I don’t want to “fall in love with strangers” or “make fun of my exes.” (I will admit that “breakfast at midnight” sounds pretty great because, come on, who doesn’t love breakfast food?) But I guarantee I cannot make myself “forget about deadlines” and I need sleep way too much to stay out all night partying.

I know I probably sound like a grouch, but I just don’t like the idea of feeling “happy, free, confused, and lonely at the same time.” I know what I want to do as a career. I have amazing best friends who share my weirdness and a boyfriend who likes my determination. My faith keeps me strong when I am confused and my family is always there for me. Sure, I have moments of “I can’t do this” and “adulting is the literal worst,” but I am comforted by the fact that I am not alone and nothing compels me to fit the typical 20-year-old mold.

Though I am twenty and thus expected to be tired, broke, and confused (according to the Huffington Post), I refuse to act my age. I will go on working professionally as a pianist as I have since elementary school. I will keep writing poetry and short stories because even though I have to pay taxes and vote, I do not have to stop loving fantasy. I will watch Disney movies and sing along because being a grown-up does not mean I can’t have a sense of childlike wonder. I will chat with my mom about everything because she will always be my best friend, even though new people have come into my life.

When I turned sixteen, I wrote in my journal that I felt simultaneously older and younger than my peers. Now, at twenty, it is the same; I do not feel at all like the stereotypes say.I mean, come on, I play the pipe organ for traditional worship services, but also want to bury myself in a pile of stuffed animals. I am twenty, but feel more ten and thirty than their median.

Well-read and Caffeinated: 10 Ideal Coffee/Tea and Book Pairings

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Today’s Special: An iced Nutella latte with my blog and a side of Plato’s Republic

It is a truth universally acknowledged that all readers in possession of a good book are in want of a delicious beverage to sip. But why settle for just any latte? In my opinion, books and coffee are like fine wine and cheese; you must pair them properly so as to derive the fullest enjoyment from both. I do not have a great deal of experience in pairing wine and cheese, but I certainly know how to create the perfect book and beverage combination. Use your favorite book to choose your next drink or use your favorite drink to pick your next read. Either way, I’m sure you will enjoy these well-read and caffeinated combos.

  1. Anne of Green Gables & Raspberry Herbal Tea
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Raspberry cordial didn’t work out so well…we will stick with tea.

This sweet pair will make you dream of a simpler time. The warm yet fruity flavor of this tea reflects the loving yet spunky characters. Besides, Anne always wanted to try raspberry cordial and a hot raspberry tea fits well with this classic comfort read.

2. Little Women & Lavender Latte

It’s a drink that’s bold like Jo, sweet like Beth, refined like Meg, and artsy like Amy. Drink it hot or cold, but savor its multi-layered flavor as you dig into this thick book with more than one fascinating heroine!

3. Gone with the Wind & Dark Roast with Hints of Cocoa 

 

 

This coffee is a shocking as this book was to its original audience and as strong and bitter as its famous lovers, Scarlett and Rhett. Still, it also has the sweetness of Melanie in its chocolate undertones.

4. Sherlock Holmes & A London Fog

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Sherlock’s other favorite tea has eyeballs in it. It was an experiment. 

Nothing says mystery or England quite like this tea and Sherlock Holmes! The smoothness of the vanilla matches Sherlock’s wit and the base, Earl Grey tea, is as dark as, well, a London fog! Besides, with just enough caffeine, this will help you stay up all night to solve the case.

5. Edgar Allan Poe & Decaf 

Nothing says horror like decaffeinated coffee. Why is that even a thing?

Okay, actually I would pair Mr. Poe’s writings with a Cappuccino because his poetry is surprisingly delicate like foam, though his short stories are as jolting as the straight espresso that lurks below.

6. Ray Bradbury’s Short stories & a Caffe Americano with Hazelnut Syrupimages-1.jpg

No doubt Bradbury’s stories are perfect midnight-reading tales, so in order to stay up reading these deliciously creepy stories by one of America’s most influential authors, enjoy a caffe americano with plenty of espresso and some hazelnut syrup to fully enjoy his more nutty stories.

7. Pride and Prejudice & Mint Green Tea

It might be bitter at first, but just like the relationship of Darcy and Elizabeth, it will sweeten over time. This refreshing drink parallels the honest sass of Jane Austen and is as sure to be a good match for this book as Jane was for Bingley. Add sugar or fruity syrups according to your taste, for this book is also darling and romantic.

8. The Chronicles of Narnia & English Breakfast Tea with Cream and Sugar

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C.S. Lewis once said “You can never find a cup of tea large enough or a book long enough to suit me.” I’m 98% sure, being the epitome of the British author, Mr. Lewis was thinking of English breakfast tea when he said this and, based off the whimsy of his stories, I suspect he (and perhaps Mr. Tumnus!) added cream and sugar to his drinks.

9. Anna Karenina & Latte Machiatto 

Deceptively sweet, like the book’s title character, this drink has a foundation of espresso followed by a layer of milk. Be sure to load this beverage with an extra shot since this book is nearly 1000 pages of incredible insight and you’ll want to power through large bits at once.

10. The Divine Comedy and Cafe Freddo

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Cafe fredd0+Cathedral+ Dante=a truly Divine Comedy (Pun #3!)

Decaffeinated coffee is my Inferno, so instead go for cafe freddo, which is espresso shaken with ice and vanilla and served in a wine glass. This elegant beverage and Dante’s beautiful poetry make for a match made in Paradise. (Sorry, could not resist a second Dante pun.) This drink is as Italian as this trilogy and guaranteed to be a favorite!

I enjoyed writing this and hope you liked reading it! Let me know if you try any of these combinations and/or what you think. Thanks for reading!

-Ryanne

 

Reflections on Writing a Novel Draft

During my journey home from Italy, I was super bored and, thus, my brain went crazy and came up with a novel idea that I am ridiculously excited about. Thankfully, I hit 50,000 words on my other novel draft, so I was able to set that one aside without too much guilt to begin this next project. While I am writing like mad to make sure I don’t forget my initial ideas, I have been trying to write more mindfully as well, meaning that I am writing with intentionality and observation. Basically, I am noting the quirks and tendencies I have as a writer, along with the surprises and mistakes.

For instance…

I have a knack for writing characters like me. This sounds like a bad thing, but it is not! Yes, I have written characters who resemble me in their appearance, fashion taste, sense of humor, hobbies, etc. and I need to steer clear of doing this too often or risk becoming predictable as an author. However, I have found that I also write characters who teach me about myself. For example, a cynical and morbid actor may not sound like me, but this particular character revealed to me some darker aspects of my own mind. (Don’t be scared; he’s not a bad guy.) Characters who I have tried to make unlike me have ended up like me in ways I did not intend, displaying through their traits and stories parts of myself that I did not even realize existed: apathy, romance, ambition, etc. all revealed themselves to me in my characters.

Continuing on, I have discovered that my life bleeds over into my fictional writing. I cannot control it. A barista from a coffee shop, a quirky house, a childhood friend, an overheard sentence, have all ended up in various stories of mine. I’m sorry if you read of a character that resembles you closely someday; I can’t really help it. I’ve found that I “collect” real-life characters and place them in fictional stories. As Sherlock Holmes once said, “life is infinitely stranger than anything the mind of man could invent.” I believe using aspects and people from the real world creates greater detail and intrigue in the fictional realm. 

The advice given by numerous authors to “write the book you want to read” is 150% valid. (please don’t attribute that quote to a single author; I’m pretty sure literally every successful writer has said something along those lines.) You know why assigned essays are not usually fun? Because 9 times out of 10, nobody wants to read your five paragraph essay on your three favorite foods. Actually, make that 10 times out of 10. Nobody cares. BUT, if you think of an idea that you wish to read about, why not write it yourself? When I find a book that fascinates me, I can’t stop reading. When I’ve thought of a story idea that fascinates me, the same principle is in place: I can’t stop writing. 

Despite being the author, I don’t know where every part of the story will go and I am as surprised by its twists and turns as I hope readers will be one day. It’s frustrating when plot points won’t connect or the timeline does not line up or characters decide to be fundamentally unlikeable. However, all of the struggles are forgotten the moment a character develops naturally or a plot twist generates itself or even when a particularly good bit of imagery paints itself. Writing is a constant adventure.

That about wraps up my reflections for now…oh wait! I have a couple more little tidbits that I have discovered over the past few days of writing:

  1. Writing time is like Narnia time in reverse; one minute of writing might actually be three hours of regular time. This can get out of hand very quickly.
  2. I feel guilty but a little bit cool every time I write a swear word, even if it is an edgy character saying it and not me. We’ll see if I let those stay in later drafts
  3. I have a morbid mind. Don’t ask. If this book makes it through publishing, you’ll see what I mean.
  4. It is possible to have a crush on your own character. The problem is if that character is based off a real person. (Not this time, though.)
  5. Netflix and writing go surprisingly well together. I managed to re-watch a season of Parks and Recreation and write 10,000 words in the same day. (Blame jet-lag for my laziness…)
  6. I get so enthusiastic about my ideas that I fear it borders on annoying. Sorry, everyone I’ve talked to in the past three days. If this ever gets published, you can have a free copy to read or burn depending on how obnoxious you found me.
  7. Coffee is writer fuel. One shot of espresso generates roughly 2,000 words. I’m open to donations of coffee money. The more coffee, the sooner this draft is finished.
  8. I write because I have to. I mean, I have no idea if anyone actually reads my blog posts regularly but I cannot help writing them. Words just build up inside my brain and if I don’t string them together into written sentences, I go crazy.

That’s all for now! If you read all the way to the end of this, do me a favor and like or comment or send me an appreciative message via carrier pigeon since I’d like to get an estimate as to how many people/who actually read(s) to the end of my articles. (See extra realization number 8) Thanks!

Okay bye for reals! Back to frantically typing my draft!

Miss Darcy

“It is a truth universally acknowledged, that a single woman having read or seen Pride and Prejudice, must be in want of a Mr. Darcy.” – Jane Austen and Ryanne McLaren*

*Note: The above quote does not actually represent the entirety of this post, but I did think it rather apt in capturing the feelings of Austenites everywhere.

Rereading Pride and Prejudice is probably the most fun summer homework I have ever had. I find myself procrastinating my other work as I continue to become absorbed into Jane Austen’s Regency world of country lanes, stuffy dinner parties, heartfelt letters, and- of course- the universally-beloved romance between Elizabeth Bennet and Mr. Darcy.

In beginning to read this book for the second (or is it third?) time, I was determined to figure out which leading lady I am the most like. My mother used to tell me to “put on my Jane face” whenever I needed to act sweet and politely charming. But, others have mentioned that my sass is more in line with Elizabeth. I hope that I have never been a Lydia or Kitty, though I fear I may occasionally be Mary.

But…the more I read, the more I come to realize that I am not completely like any of these characters. And, while most girls will argue that Elizabeth is their spirit animal, I am afraid that I am, instead, Mr. Darcy.

Granted, I am obviously not a “young man in possession of a good fortune,” but I cannot avoid acknowledging the incredible similarities I have discovered between Darcy’s character and my own.

First of all, according to internet searches, which we all know are always accurate, both Darcy and I are INTJ personalities, commonly considered to be the “architects” archetype. INTJs are characterized by planning, introversion, and analysis. Of course, the Meyers-Briggs indicator does not capture the whole of our natures, so I will continue to delve deeper, using Darcy’s pursuit of Elizabeth as my primary evidence.

  1. Rudeness and cluelessness:

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“I am in no humor at present to give consequence to young ladies who are slighted by other men” (Austen 7-8).

I do not think that Darcy meant any overt meanness here, but was simply being blunt with his thoughts. If I had a nickel for every time I said something insensitive simply because I thought it obvious, I would be able to buy Pemberley. He was also clueless that the woman he slighted at first will become attractive to him within the next few chapters. I’ll admit this has happened to me too; upon meeting someone, I might not give him a second thought at first, even if he becomes important to me later.

2. Eye love intelligence: 

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“No sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it rendered uncommonly intelligent by the beautiful expression of her dark eyes” (16).

Pardon the terrible pun, but Darcy comes to admire Elizabeth’s whole figure upon finding he admires the witty sparkle in her eyes. This is usually the first thing I see in a person too; a good-humored and intelligent expression in someone’s eyes is the most attractive thing to me and gives that entire person a handsomeness that cannot be matched.

3. Knowledge is power, but also love: 

 

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“He began to wish to know more of her” (16).

It might sound horrible, but people like Darcy and myself don’t care that much about learning about others unless we have a genuine affection for them. It goes right along with our detest of small talk. We don’t give two pence about someone’s thoughts on the weather,his/her favorite dinner course, or where he/she buys tea biscuits. Unless we care for this person deeply. In that case, we will not only want to know everything about him/her, but we will make a clear effort to ask and observe in order to gather information.

4. Falseness if futile: 

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“‘Nothing is more deceitful,’ said Darcy, ‘than the appearance of humility. It is often only carelessness of opinion, and sometimes an indirect boast'” (35).

When Miss Bingley copies and compliments everything Darcy does, he does not hide his annoyance, but expresses it in wise sayings she is sure to misinterpret but still allow him to speak his mind. He is aware of and despises all ploys of manipulation. Similarly, nothing bothers me more than falseness or deception and when I am aware of these manipulations, I speak my mind. And, though I usually believe I am correct, I also generally regret it.

5. Slow to form opinions, slow to discard them: 

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“My good opinion, once lost is lost forever” (43).

I agree with Elizabeth that this tendency is “a failing indeed,” but it is a failing I share with Darcy. Wickham wronged Mr. Darcy and deserved to lose his favor, but was it wrong of Darcy to renounce forgiveness? This is a fault of mine as well, for I am guilty of remaining cold toward people who have “lost my good opinion” for unreasonably long periods of time. But, I will add, the trust and friendship of such characters as Darcy and myself are not easily won, so it is understandable that breaks in these bonds are also not easily forgotten.

6. Desire is danger: 

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“He began to feel the danger of paying Elizabeth too much attention” (44).

This is an exaggeration, but I am right when I say that Darcy feared his attachment to Elizabeth. Feelings of any kind are discomfiting to natures such as his, for they not only contradict reason but are at risk of being found out by others. The fear of a person discovering where Darcy’s (or my own…) affections lie is all too real for him (and me.) We know from experience that secrets relating to the heart are best kept in complete privacy because it allows for protection of our own egos as well as make the likelihood of getting over such affections greater.

7. Reason > Romance: 

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“Steady to his purpose, he scarcely spoke ten words to her…and though they were at one time left by themselves for half an hour, he adhered most conscientiously to his book, and would not even look at her” (43).

As I said before, if Darcy could forget his admiration of Elizabeth, he would likely congratulate himself on avoiding ridiculousness. It is the first instinct of people such as him and me to try and adhere to reason rather than romance, especially when there is a risk of the romantic feelings not being returned.

8. A matter of company: 

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“We neither of us perform to strangers” (135).

Although this scene centered around a piano, Darcy is not talking about musical performance, but rather social interaction. He makes it clear that he does not do well in many common social situations. This is crazy relatable for me. Dentist appointments, customer service lines, and ice breaker activities are torture because they require me to chat lightly with people I don’t generally connect with. (And, in the case of the dentist, I have to chat with sharp objects prodding my gums, which I think must literally be a punishment from hell.) However, when we find a place or group in which we meet people with shared interests or natures, we perform our social duties admirably enough to be mistaken for extroverts!

9. The gift of time: 

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“More than once did Elizabeth in her ramble…unexpectedly meet Mr. Darcy…on these occasions it was not merely a few formal enquiries and an awkward pause and then away, but he actually thought it necessary to turn back and walk with her” (140).

Darcy has made it clear up until this point in the novel that he does not enjoy spending much time chatting or idling. However, this is exactly what he keeps doing! In talking and walking with Elizabeth, he is showing that he cares for her enough to make time with her a priority. This is perhaps the greatest gift he can give her at this moment and, in the same way, I express my love by making time for people I love greatly.

10. When all else fails, GET TO THE POINT! 

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“In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you” (145).

Here is where Darcy and I differ; when Elizabeth fails to catch all of his hints, he straight up tells her “Hey, I like like you. Do you like me? Check yes or no.” I wish I were this bold. It would probably save me lots of overthinking. Maybe someday I’ll give it a shot… I do, however, share Darcy’s appreciation of straightforwardness and wish more people were like him in this way.

11. Service speaks: 

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“He had done all this for a girl whom he could neither regard nor esteem. Her heart did whisper, that he had done it for her” (248).

When his profession of love was not returned, Darcy continued to show determined care in his actions, taking on the shame of the Bennets and doing all he could to restore their propriety. It is such selfless service that speaks Darcy’s love the loudest. I only hope I serve those I care about, even if they do not always share my feelings, in the same quiet and generous manner. Let’s also take a moment to celebrate that his determination and patience prove totally worth it in the end! 🙂

So there you have it. Again, I am not the tragically romantic figure that Darcy is, nor am I so reserved and skeptical as he is. Still, while I may not be as much like our dear Mrs. Darcy as I had hoped, there is nothing wrong with being a sort of Miss Darcy, as long as I don’t go about earning a reputation of being “proud…above [my] company…and above being pleased” (6).

 

Works Cited
Austen, Jane, James Kinsley, and Fiona J. Stafford. Pride and Prejudice. Oxford: Oxford UP, 2008. Print.