Which lends to us the glow we know as pow’r.
And yet when seasons change and months are done,
We wax and wane with ev’ry passing hour.
Beneath the pale and ever-shifting face,
The darkened side is ever on the lurk.
Pretending this is truly not the case
Becomes the end of all our earthly work.
For yet we make an idol of the moon,
Exalting her and self as the true light.
When we, lunatics, fade upon the noon
And only shine amidst the blackest night.
The moon and we, are mere reflections dim
Of all truth, beauty, goodness bright in Him.”
-Ryanne J. McLaren
I love traditional worship and, as a church musician, am in favor of the whole package: choir robes, pipe organ, hymnals, etc. I once even jokingly said I’d drown myself if I ever heard “Oceans” played in another chapel.
That said, though, I am not necessarily in favor of having separate traditional and contemporary worship services. Before coming to the church I currently attend, I found myself in pursuit of a completely traditional service as I sought to avoid what I saw as the church-turned-concert vibe of many contemporary services.
But is this biblical?
I can easily make a case against a solely-contemporary worship regimen. After all, hymns provide a link to our Christian heritage, are (in general) more closely inspired by specific scriptures, and tend to be more musically complex. However, there are many skilled contemporary Christian artists who write songs packed with beautiful music and sound theology and it is not wise to ignore these for the sake of tradition.
Calvin in his Institutes of the Christian Religion writes (in many more words) that so long as it remains rooted in scripture and dedicated to administering the sacraments, churches on Earth are encouraged to grow and develop according to their situation in time and location. Thus, while we should not forget our tradition, we also should not refuse to progress and continue to create.
Thus, the statement that we ought to remember our traditions and the belief that we ought to continue to develop our worship should not be mutually exclusive.
We may certainly choose to attend chapels or such gatherings that have the musical worship that we prefer. However, in the church, it is potentially unwise to cater separately to both extremes: traditional vs. contemporary.
I love traditional worship and do not mind contemporary when it is done with excellence, but I especially love the church services where the two are combined. I should clarify that I am not talking about contemporary remixes of the hymns; for example, when good ole “Joy to the World” becomes “JOY! UNSPEAKABLE JOY!” and is repeated for eternity, I cannot help but cringe. I am simply saying that rather than alter the hymns to make them more palatable for contemporary Christians, we should sing them alongside new songs. And, in doing so, we might bring the two extremes of the worshipping body together.
I have personally observed disgruntled older Christians in contemporary services and, although only twenty years old, I relate. As soon as the guitar and drums come in, we often lose our motivation to worship because the melodies are unfamiliar, the words projected on a screen rather than printed in a hymnal, and the music is too loud. Rather than adapt, my traditional pals and I attend a separate service that fits our expectations.
On the other hand, younger congregation members might feel uncomfortable in a liturgical service. They find the hymnals unwieldy, the music or lyrics too complicated, and the environment too formal. Rather than finding such a service reverent, they might find it stiff and distant. And so, like their older counterparts, they create and attend a service geared specifically toward their desires.
What seemed like an insignificant difference of musical preference is much more: it is a fundamental division of the church body.
In a traditional service, it is rare to see anyone under a more venerable age. In a contemporary service, primarily youth attend. There is a massive gap between generations in the church. And this is wrong; just as only featuring one era’s songs of praise does not accurately represent the span of Christian creativity in worship, hosting separate services for each worship preference does not accurately represent the body of the church, or- more importantly- the body of Christ.
The body of Christ, we are told in scripture, is united. Paul’s letters are overflowing with calls for the crucial unity of church members. For instance, 1 Corinthians 1:10:
“I appeal to you, brothers, by the name of our Lord Jesus Christ, that all of you agree and that there be no divisions among you, but that you be united in the same mind and the same judgment.”
Does dividing the congregation based on means of worship obey this call? Does it reveal that we are living with “the same mind” or does it demonstrate a willing, opposing judgment?
What is the solution to this division? It cannot be to abandon one mode of worship for the other, forcing all members to sing hymns or contemporary music as this would further promote disunity! It would either divide us from our heritage and thus from the brethren that came before us or it would disconnect us from the current Christian culture. Either way, choosing one exclusively is not the answer; severing the past from the present obviously cannot heal a primarily generational division.
Rather, just as we ought to bring together the generations and preferences of our congregation, we must bring together the worship of our history and our present age. Blended services are a blessing (even if it means suffering through that repetitive refrain or faking your way through a wordy hymn) because you might be suffering and faking next to a kindly grandmother, an enthusiastic college student, a smiling toddler, or a wise father. Worship is about more than music; it is about the communion of the saints. Where the members of the body proclaim truth in unity, there is worship.
Romans 12:4-5 reads:
“For as in one body we have many members, and the members do not all have the same function, so we, though many, are one body in Christ, and individually members one of another.”
These verses, which focus on spiritual gifts, may also be applied to worship. We are individual members and, as such, carry our individual preferences. I personally find it easier to worship through the hymns, but many I know find contemporary songs more accessible. These are not doctrinal conflicts, but rather individual differences between members.
Ultimately, though, we are not called to live according to ourselves as individuals but to submit to one another. We are to bring together our gifts- and our preferences- to serve each other so that we join to become something greater: the united body in and of Christ. Combining our worship services, even if it is just once in a while, and singing praises together is a small step toward this perfect and desirable unity. Together, we might sing both beloved psalms and new songs to our one Lord, “who was and is and is to come.” And, together, we might realize fully the truth of Psalm 133:1:
“How good and pleasant it is when God’s people live together in unity!”
Too often, I find myself staring in admiration at my bookshelves. The ornate covers of collectables, the crackled pages of old favorites, the bright illustrations of new editions… *sigh of delight* To my abashment (isn’t that a lovely word for a not-so-lovely feeling?), I own and admire many books I have yet to actually read. Also, I continually purchase books without finishing the ones already waiting for me so faithfully at home! Horrible. Simply horrible. But, in staring at my beautiful and partially-read Shakespeare collection, I was inspired. Perhaps, if I cannot read all of the books on my list, then I can at least compose a sonnet (which may or may not resemble Shakespeare’s most famous 18th Sonnet) for them to assure them of my good intentions!
To The Books on My Shelves
Shall I shelve thee and read mere summaries?
Thou art more dense with stories worth the wait;
Rough times have robbed my reading time in May,
And summer’s months I deem too short a date:
Though Sun a hot book light for reading shines,
And e’en by night a lamp burns near undimmed,
I fear my eyesight steadily declines
While far too many tomes remain unskimmed.
But dusty still your ink will never fade
Nor I forget the study that I ow’st.
Although cases of books rest in the shade,
Someday I shall uncover all they know’st.
So long as writers breathe and glasses see,
So long shall books give breath and sight to me.
It’s that time of year again: blogging rampage time since my juries and finals are over and I don’t know what to do with my free time!
It’s also junior and senior recital season, as well as banquet and graduation season.
That said, every girl needs a fallback hairstyle that is elegant, timeless, and EASY.
Here’s my go-to updo.
- Good bobby pins that match your hair color
- One sturdy hair tie
- (Optional) fancy clip
- Curling iron
- Heat protection spray
- Curl all of your hair. To be safe, always spray it down with a heat protection spray. For best results, start curling at the root and then work to the ends; this improves the hold of the curl.
- Once the curls cool, separate them using your fingers and shake them out for extra volume.
- Choose the side opposite the part and put the hair on the underneath of that side into a ponytail, leaving the sides and top of your hair down.
- Twist the ponytail into a loose bun and pin it.
- Take a small chunk of the loose hair and twist it loosely; wrap this around the bun and pin it. Don’t worry if the ends are loose as you can secure them later and, as they are curled, they will look intentional anyway.
- Continue to take chunks of hair and either wrap them around the bun or wrap them around your fingers and then pin them to create curls surrounding the bun. This adds poofiness!
- When you reach the sides, loosely twist them into the bun as you did the other pieces. However, you can leave shorter pieces down around your face to frame it.
- The result should look something like this.
- Add a pin as needed to secure your bangs; usually I use a sparkly barrette.
- Optional: touch up the curls around your face and hairspray the whole creation.
- Also optional: add a fancy hat and pretend you are a wealthy widow with a dark secret.
Hope this helps any of you looking for some hair inspiration! 🙂
Current mood: Homework and bagpipe music. (It helps me focus.)
Finals are almost upon us. Juries are just around the corner. And my motivation is 40% coffee, 30% chocolate, 10% memes, and 10% hugs. The other 10% got lost, along with most of my enthusiasm.
I am finding ways to deal with the awful combination of the sophomore slump, final blahs, and summer dreaming.
- Celtic music, especially jigs and reels. Seriously, it’s like Disneyland in your headphones. Just listen to it and you’ll feel immediately so much better!
- Strength training. My go-to exercise is running, but sometimes lifting and throwing heavy objects relieves more tension…even if “heavy” for me is like 10 pounds.
- Mix up your practice/study routine. I’ve found that taking a little break to listen to my repertoire or reread a chapter of my book while stretching or dancing around helps me refocus.
- Hugs. I am not a touchy person, but you really can’t beat a good hug from a close friend.
- Call Mom. Just do it. Moms always have the answers and, if they don’t, they can at least tell you to cut it out and get back to work.
- Read a book for fun. As I wrote before, I have rediscovered my love of children’s books and it is keeping me sane.
- Blog. Noticed my recent increase in posts? It’s because of a nifty thing I like to call “procrastination.” But writing helps me feel like I accomplished something.
That’s it for now.
Dear University and High School,
I was fortunate in high school to have had a wonderful arts department. The faculty, students, and facilities were excellent and I was well-prepared to be a college-level musician. Now, I am studying at a conservatory among talented peers under the direction of stellar professors.
But something is missing.
My high school music program and college conservatory were and are both incredibly supportive…internally. Within the arts departments, students and professors know each other well, building friendships and mentorships that will endure a lifetime. We cheer each other on in concerts, accompany each others’ solos, give each other advice. We pray for each other, share in the joy of each others’ accomplishments, and listen to each other practice the same piece for what feels like the millionth time.
But this is all internal support. “Intra-conservatory” if you will. Outside the walls of our halls, there is little understanding of who we are or what we do, causing music students to feel unknown and undervalued. This is not something that can be resolved overnight; however, it is vital to not forget what the arts contribute and, in turn, how you as a university can show your appreciation.
For instance, we as a conservatory or high school music program…
- …are there for you. The symphony orchestra played for a ceremony honoring the construction of a new science building. The chorale sings for all-student-body chapels. We as a department are there for you, the school as a whole. We love to see other departments benefit and want to lead the rest of the school in worship. However, this supportive relationship cannot be one-sided; we long for appreciation beyond a casual “thanks” in return.
- …earn scholarships too. Every time an athlete signs on with a university team or earns a scholarship, the school newspaper writes an article about it. I wonder if the school or the paper realize that music students also are recruited and offered large scholarships to attend and perform in ensembles, just like a sports team… Recognition of these awards equates to recognizing the excellence of the conservatory and the honor of being selected to participate in its ensembles.
- …are a tool for recruitment. The chorale tours every year, even when it is least convenient, in order to ensure that recruitment and enrollment at the school continue to increase. However, although members love to sing and to share their gifts with potential students, it is discouraging to go through all this work to serve the school and not receive any acknowledgement.
- …open our home to you. During large university events such as conferences, the conservatory opens its doors to all students, welcoming them into the hall that has become a second home for music majors. However, these visiting non-music students and faculty disregard this kindness by bringing in food and drink, leaving behind trash, and acting unruly. Please treat our building with respect! It is old, overcrowded, and falling apart enough already! (We don’t seem to be getting a new one any time soon.)
- …provide a community for anyone. Even if you are not a music major, if you are willing to be a team player, have a heart for music, or simply want a wonderful group of friends who will be there for you through thick and thin, the conservatory will welcome you with open arms. Ensembles open to everyone are offered, allowing those who might not have the desire (or insanity) necessary to be a music major to still enjoy the tight-knit and loving community that musicians offer.
- …are diligent and dedicated. What other major requires 4-6 hours of study every single day for only one class? And yet, we love what we do and chose to do it. Music majors are among the most dedicated and motivated students you will ever meet. They love what they do, even when it is stressful, and will push themselves to the maximum to ensure that they do it with excellence. Now, doesn’t that sound like the type of student a university would want to encourage and prioritize?
- …showcase the school’s strengths. Our university is full of talent, not just in the music department. However, the conservatory showcases these talents on stage for anyone to see. Community members not affiliated with the school often attend concerts and praise the program for its superior quality. Shouldn’t the school be more interested in the program that is drawing in outsiders and showing off the school’s strengths?
- …are more than musicians. Within the conservatory are writers, actors, dancers, artists, photographers, and athletes. There are future teachers, authors, businessmen, administrators, and missionaries. Music students are interested in a wide array of fields. However, in not investing in their lives as music students, the school is not investing in their wealth of other opportunities as well, which have the potential to benefit the school and the future of their chosen fields.
- …serve other departments. Composers write scores for the film department, pianists play for administrative events, and chamber ensembles perform for art shows. We even started a chapel to serve the more traditional people at the school. Whenever there is a need for music, the conservatory students are thrilled to help, in spite of their already overloaded schedules. We want to team up with other departments and thus foster greater cross-campus unity. However, it is difficult to continue doing so with the university seemingly providing only limited resources and support.
- …want to share our passion with you. The biggest thing to know about this issue is that we want to share with you. Any time we complain about being ignored or undervalued, we are expressing a deeper sadness that we are unable to share our gifts with our university community. We work from sunrise to midnight to create operas and concerts, eager to share the fruits of our labor with the school. But how are we to do this with an empty hall, or -worse- an audience that leaves at intermission?
We are pleading with you, our fellow students (and especially our administration), to come to our concerts, to experience for yourself the beauty of the music we love. Yes, we would love a new building with enough practice rooms and working facilities. We would love increased funding so that we can put on more lavish events or purchase the supplies we need. We would love to be included in the headlines of the school newspaper. However, the most meaningful way you as a university can show us your support is also the smallest: simply come and listen.
I love children’s books: always have, always will. However, so many people pass the age of 12 and think they must “grow up.” They somehow rationalize leaving behind the lovely rows of Newberry Medal winners for the cringe-worthy gratuitousness of the “teen paranormal romance” section. When did that even become a section?! Or rather, WHY?!
But I digress.
Upon entering high school, too often we leave Narnia and enter far nastier realms of either purely reality (that is, not reading at all) or cliche, poorly-written teen romance. Even for advanced readers, skipping over the teen literature for adult books is not usually easy or wise; these too are riddled with profanity, pornographic scenes, and – frankly- poor writing.
Don’t get me wrong, there are some absolutely wonderful teen and adult books out there. I’ve blogged on a few of them and am planning to publish a roundup of recommendations for later, but in general, I have been lately drawn more and more back to the children’s literature sections of the bookstore.
Not convinced that children’s literature is for every one?
Here are ten reasons why you should read more children’s books:
- They are not just for kids! C.S. Lewis, who was a prolific writer for both children and grown-ups, once remarked that “a children’s story that can only be enjoyed by children is not a good children’s story in the slightest.” Well-written children’s tales grow with the reader, gaining deeper meaning as the reader ages.
- They’re clean! Every time I pick up a book outside of the kids’ or classics sections, I stumble across something scandalous. I get it, sometimes a swear word or sexual scene is necessary, but usually they seem to be thrown in to attract an edgier audience rather than to enhance the story. Children’s books manage to convey real issues without having to be unnecessarily explicit!
- They are not condescending. So many books geared toward teens are written in a dumbed-down style, overusing descriptions such as “the boy felt angry.” Don’t tell us he felt angry! Tell us that he “clenched his fists as his face turned red with pent up emotion.” Readers are smart enough to infer what the character is feeling! I’ve found that children’s books most often show rather than tell, preventing the reader from feeling as if he/she is being talked down to by the author.
- They address real events and issues. So much of my understanding of the world comes from what I read as a child. They might be riddled with magic and fun, but so often children’s books are deeper than we give them credit for! They teach history, different perspectives, address serious issues, even demonstrate survival skills!
- They offer comforters and encouragement. It’s as if, the older I become, the authors that nurtured me as a child become more important; instead of babysitters, they are mentors. Rereading them takes me back to a simpler time, when my biggest worry was how many chapters I could read before I’d have to practice piano. They also are full of sage advice, the depth of which I have only realized with age and experience.
- They are brain candy and food for thought. Written for children, the writing style is not generally complicated; however, with such a vast spectrum of topics, these books are certainly not mere fluff! They are perfect for light reading, yet they also demand that you think, ensuring that time spent reading them is time well spent.
- They are original! This should be a given. Actually, this should be a requirement for publication. Sadly, though, cliche is the new original for many books. However, you can always count on children’s books to bring lively new stories to the world! Just like kids are always imagining new things, children’s authors are constantly producing fresh tales.
- They tell fantastic stories. Again, this should be a given for publication in the first place, but you’d be surprised how many books I start, thinking they look intriguing, and then set aside in my “Half-Price Books trade-in” pile. However, children’s books tell such a wide variety of gripping tales that I have lately found myself staying up late reading, just as I did when I was little.
- They have pictures. Books do not need pictures; I’m not Gaston from Beauty and the Beast. But, let’s be honest, who doesn’t enjoy some well-drawn illustrations? The illustrator of The Mysterious Benedict Society did such delightful work that I have bought books by different authors simply because they are illustrated by her.
- They promote bonding. I clearly don’t have kids yet, but I look forward to a day when I will read aloud from my favorite books to my kids. I remember fondly the times my parents would take my brother and I to the bookstore and let us pick out books. Even now, that is how my dad and I spend our time together and, even as a twenty-year-old, I usually make my pick from the Newberry Medal winners.
Are you convinced now? If not, I encourage you to visit the children’s literature section at your local bookstore anyway. Need recommendations? Just comment and I will send you millions. (Maybe not quite millions…)
While I will admit that I am sad to see some changes in the children’s literature section, with books such as Dork Diaries replacing the Ramona books by Beverly Cleary, I recognize that it is a place where wholesome storytelling thrives, fostering both imagination and education. In short, children’s literature gives me hope in the midst of a world that is increasingly drawn to darkness and – scarier still – poor writing.